| 21st Century Consort |
Sterling, Virginia |
|
$3,000 |
| A Far Cry |
Shelburne Falls, MA |
support for Side By Side: All Together Now, featuring a tiered commission by Quinn Mason in side-by-side concerts with students from Project STEP and Groton Hill Music Center |
$4,000 |
| Akropolis Reed Quintet |
Northville, Michigan |
|
$3,500 |
| Alarm Will Sound |
New York, NY |
|
$7,500 |
| Albany Symphony Orchestra (NY) |
Albany, New York |
|
$14,000 |
| Alkemie |
Brooklyn, NY |
support for two release shows celebrating the album A Worthy Mirror |
$2,000 |
| American Composers Orchestra |
New York, New York |
|
$4,000 |
| Arcana New Music Ensemble |
Philadelphia, PA |
|
$2,000 |
| Bent Frequency |
EAST POINT, Georgia |
|
$3,000 |
| Bergamot Music Inc. |
New York, NY |
|
$3,000 |
| Beth Morrison Projects |
Brooklyn, New York |
|
$7,500 |
| Beyond This Point Performing Arts Association NFP |
Chicago, IL |
|
$2,000 |
| BlackBox Ensemble |
Brooklyn, New York |
|
$3,000 |
| Boston Lyric Opera |
Boston, Massachusetts |
support for the world premiere of a new community opera by Carlos Simon and Tracy K. Smith |
$5,000 |
| Boston Modern Orchestra Project (BMOP) |
Malden, Massachusetts |
|
$20,500 |
| Bozeman Symphony Society |
Bozeman, MT |
|
$2,000 |
| Brooklyn Youth Chorus |
Brooklyn, New York |
|
$4,000 |
| Buffalo Philharmonic Orchestra |
Buffalo, NY |
support for premieres by Richard Danielpour, Jonathan Leshnoff, Roland Martin, and Paul Frucht |
$2,500 |
| C4: The Choral Composer/Conductor Collective |
New York, NY |
|
$2,000 |
| Cabrillo Festival of Contemporary Music |
Santa Cruz, California |
|
$5,000 |
| Cantori New York |
New York, NY |
support for world premieres by Caroline Mallonee and Jessica Meyer |
$2,000 |
| Catapult Opera Inc. |
NEW YORK, New York |
|
$3,000 |
| Cayuga Chamber Orchestra |
Ithaca, NY |
support for the CCO Composer Commission Project |
$2,000 |
| Chicago Composers Orchestra |
Chicago, Illinois |
|
$2,000 |
| Chicago Opera Theater |
Chicago, Illinois |
support for a new fully staged production of The Juniper Tree by Philip Glass and Robert Moran |
$6,000 |
| Collage New Music |
Boston, Massachusetts |
|
$4,000 |
| Contemporaneous |
New York, New York |
|
$4,500 |
| Copland House, Inc. |
Peekskill, New York |
|
$4,000 |
| Da Capo Chamber Players, Inc. |
New York, New York |
|
$4,000 |
| Dal Niente New Music, NFP |
Chicago, Illinois |
|
$6,000 |
| Del Sol Performing Arts Organization |
San Francisco, California |
|
$5,500 |
| DownEast New Music |
Seal Harbor, ME |
|
$2,000 |
| ETHEL |
New York, New York |
|
$2,000 |
| Eighth Blackbird |
Chicago, Illinois |
|
$8,000 |
| Ekmeles |
New York, New York |
|
$4,000 |
| English National Opera |
London, England |
support for performances of Missy Mazzoli's Breaking the Waves |
$6,000 |
| Ensemble Music New Mexico / Chatter |
Albuquerque, New Mexico |
|
$3,000 |
| Experiments in Opera |
Brooklyn, New York |
|
$3,000 |
| Ghost Ensemble |
Pelham, Massachusetts |
|
$2,000 |
| Glimmerglass Festival |
Cooperstown, New York |
support for the world premiere of The Snow Queen by composer B.E. Boykin and librettist Deborah Brevoort |
$2,000 |
| Guerilla Opera |
Boston, MA |
|
$3,000 |
| Hub New Music |
Detroit, MI |
|
$3,500 |
| Hypercube |
Woodside, New York |
|
$2,000 |
| Imani Winds Foundation |
New York, NY |
|
$5,000 |
| International Contemporary Ensemble (ICE) |
Brooklyn, New York |
|
$16,000 |
| JACK Quartet |
New York, New York |
|
$12,000 |
| Kinetic Ensemble |
Houston, Texas |
|
$2,500 |
| Kronos Quartet |
San Francisco, California |
|
$8,000 |
| League of Composers/ISCM |
New York, New York |
|
$3,500 |
| Left Coast Chamber Ensemble |
San Francisco, California |
|
$2,500 |
| Long Beach Opera |
Long Beach, California |
|
$6,000 |
| Longleash, Inc. |
Brooklyn, NY |
|
$2,000 |
| Loop38 |
Houston, TX |
|
$2,000 |
| Lorelei Ensemble |
Washington, DC |
|
$3,500 |
| Mivos Quartet |
Brooklyn, NY |
|
$4,000 |
| Momenta Quartet |
Bronx, New York |
|
$5,500 |
| Musiqa |
Houston, Texas |
|
$3,500 |
| NOW Ensemble |
Appleton, WI |
|
$2,000 |
| NakedEye Ensemble |
Lancaster, Pennsylvania |
|
$2,000 |
| Network for New Music |
Philadelphia, Pennsylvania |
|
$3,500 |
| New Chamber Ballet, Inc. |
New York, New York |
|
$2,500 |
| New Music Institute of Kansas City, Inc. |
Kansas City, Missouri |
|
$3,500 |
| New York New Music Ensemble |
New York, NY |
|
$4,000 |
| Opera Omaha |
Omaha, NE |
support for performances of The Pigeon Keeper by David Hanlon with libretto by Stephanie Fleischmann |
$4,000 |
| Opera Parallèle |
San Francisco, California |
|
$5,500 |
| Oregon Symphony Association |
Portland, Oregon |
support for the world premiere of Every love song is a protest by Gabriel Kahane |
$3,500 |
| PRISM Quartet, Inc. |
Philadelphia, Pennsylvania |
|
$6,000 |
| PUBLIQuartet |
Sunnyside, NY |
|
$3,500 |
| Partch Ensemble |
Venice, CA |
|
$2,000 |
| PinkNoise |
Brooklyn , NY |
|
$2,500 |
| Present Music |
Milwaukee, Wisconsin |
|
$4,500 |
| Quince Ensemble |
Winona, Minnesota |
|
$2,000 |
| River Oaks Chamber Orchestra (ROCO) |
Houston, TX |
|
$5,000 |
| Roomful of Teeth |
Williamstown, Massachusetts |
|
$5,000 |
| Roots in the Sky |
Bozeman, MT |
support for the world premiere of Scott Ordway's The History of Water for choir and chamber orchestra |
$2,000 |
| Sandbox Percussion |
Brooklyn, New York |
|
$4,000 |
| Seattle Modern Orchestra |
Seattle, WA |
|
$3,000 |
| Seattle Symphony Orchestra |
Seattle, Washington |
support for Seattle Symphony's Contemporary Music Project, featuring 16 concert programs and three new commissions |
$5,000 |
| So Percussion |
Brooklyn, New York |
|
$7,000 |
| Sphinx Organization |
Detroit, Michigan |
support for contemporary music on the Sphinx Virtuosi tour |
$5,000 |
| Splinter Reeds |
San Francisco, CA |
|
$3,500 |
| TAK Ensemble |
Ridgewood, New York |
|
$3,500 |
| Talea Ensemble Inc |
Brooklyn, NY |
|
$10,000 |
| The Crossing |
Philadelphia, Pennsylvania |
|
$7,500 |
| The Green Room Ensemble, Inc. |
New York City, New York |
|
$2,000 |
| The Harlem Chamber Players |
New York, New York |
support for five chamber ensemble and orchestra programs, featuring two premieres and works by composers of color |
$3,500 |
| The House Foundation for the Arts |
New York, New York |
|
$4,000 |
| The Industry |
Los Angeles, California |
|
$9,500 |
| The Living Earth Show |
San Francisco, California |
|
$2,500 |
| The Rhythm Method |
Brooklyn, New York |
|
$3,000 |
| The Saint Paul Chamber Orchestra |
Saint Paul, Minnesota |
support for the 2026-27 Sandbox Composer Residency program |
$3,500 |
| The San Francisco Contemporary Music Players |
SAN FRANCISCO, California |
|
$7,000 |
| Third Angle New Music |
Portland, Oregon |
|
$2,500 |
| Third Coast Percussion |
Chicago, Illinois |
|
$7,000 |
| Washington Heights Chamber Orchestra |
New York, NY |
|
$2,000 |
| Wet Ink Ensemble |
Brooklyn, NY |
|
$5,000 |
| Wild Up |
Los Angeles, California |
|
$5,000 |
| Yarn/Wire |
Ridgewood, New York |
|
$6,000 |
| Young People's Chorus of New York City |
New York, New York |
|
$3,000 |
| Zeitgeist |
Red Wing, Minnesota |
|
$4,500 |
| ensemblenewSRQ |
Sarasota, FL |
|
$3,500 |
| line upon line percussion |
Austin, Texas |
|
$3,500 |
| loadbang |
New York City, New York |
|
$4,000 |
| the [Switch~ Ensemble] |
Schenectady, New York |
|
$2,000 |
| thingNY |
Brooklyn, NY |
|
$2,000 |
| ~Nois Performing Arts Organization, NFP |
Morton Grove, IL |
|
$2,500 |
