| 21st Century Consort |
Sterling, Virginia |
|
$2,500 |
| Access Contemporary Music |
Chicago, Illinois |
|
$2,500 |
| Akropolis Reed Quintet |
Northville, Michigan |
|
$3,000 |
| Alarm Will Sound |
Brooklyn, NY |
|
$3,000 |
| Albany Symphony Orchestra (NY) |
Albany, New York |
|
$12,000 |
| American Composers Orchestra |
New York, New York |
|
$5,000 |
| Aperio, Music of the Americas |
Houston, Texas |
|
$2,500 |
| Bent Frequency |
Atlanta, Georgia |
|
$2,500 |
| Beyond This Point Performing Arts Association NFP |
Chicago, IL |
|
$1,000 |
| Birmingham Contemporary Music Group (BCMG) |
Birmingham, West Midlands |
support for a series of concerts during the 22/23 season: three concerts titled "The American Sublime" featuring works from Elliott Carter and George Lewis |
$10,000 |
| Boston Lyric Opera |
Boston, Massachusetts |
support for a co-commissioned opera, OMAR by Rhiannon Giddens in May 2023 |
$5,500 |
| Boston Modern Orchestra Project (BMOP) |
Malden, Massachusetts |
|
$20,000 |
| Brooklyn Youth Chorus |
Brooklyn, New York |
|
$4,000 |
| Chicago Opera Theater |
Chicago, Illinois |
support for the world premiere of Justine F. Chen and David Simpatico’s The Life and Death(s) of Alan Turing in March 2023 |
$5,000 |
| CityMusic Cleveland |
Cleveland, Ohio |
support for CityMusic Cleveland's first ever Composer in Residence, Jasmine Barnes |
$2,000 |
| Collage New Music |
Boston, Massachusetts |
|
$3,500 |
| Contemporaneous |
New York, New York |
support for Swan Songs, a new immersive operatic work by composer Ethan Braun and visual artist Kenturah Davis |
$2,500 |
| Copland House, Inc. |
Peekskill, New York |
|
$3,000 |
| Dal Niente New Music, NFP |
Chicago, Illinois |
|
$4,500 |
| Del Sol Performing Arts Organization |
San Francisco, California |
|
$5,000 |
| Duo Axis |
Roxbury, MA |
|
$2,000 |
| Eighth Blackbird |
Chicago, Illinois |
|
$10,000 |
| Ekmeles |
New York, New York |
|
$2,500 |
| Ensemble Signal |
Rochester, New York |
|
$6,000 |
| Experiments in Opera |
Brooklyn, New York |
support for the delayed production of Anthony Braxton Theater Improvisations, an evening-length presentation featuring a collage of 4 major works by Braxton |
$2,500 |
| Fulcrum Point New Music Project |
Chicago, IL |
|
$2,500 |
| Guerilla Opera |
Boston, MA |
|
$2,500 |
| Hinge Ensemble |
Auburndale, MA |
|
$2,000 |
| Hub New Music |
Hartsdale, NY |
|
$3,000 |
| Imani Winds Foundation |
New York, NY |
|
$3,500 |
| International Contemporary Ensemble (ICE) |
Brooklyn, New York |
|
$14,000 |
| Intersection |
Nashville, Tennessee |
|
$2,500 |
| JACK Quartet |
New York, New York |
|
$8,000 |
| Kamraton |
Pittsburgh, PENNSYLVANIA |
support for Kamratōn in NYC |
$2,000 |
| Kinetic Ensemble |
Houston, Texas |
|
$2,500 |
| Kronos Quartet |
San Francisco, California |
|
$7,000 |
| League of Composers/ISCM |
New York, New York |
|
$3,000 |
| Left Coast Chamber Ensemble |
San Francisco, California |
|
$2,000 |
| London Symphony Orchestra |
London, London |
support for a concert of Black American contemporary classical music |
$4,000 |
| Long Beach Opera |
Long Beach, California |
support Ellen Reid's SOUNDWALK, a GPS-enabled work of public art |
$6,000 |
| Los Angeles Opera Company |
Los Angeles, California |
support for two works that are part of LA Opera’s Contemporary Opera Initiative in the 2022/23 season: The West Coast premiere of Rhiannon Gidden’s Omar and the West Coast Premiere double bill of two Emma O’Halloran works |
$6,500 |
| Louisiana Philharmonic Orchesetra |
New Orleans, LA |
support for the Music at the Museum concert series |
$2,500 |
| Mind On Fire |
Baltimore, Maryland |
|
$2,500 |
| Momenta Quartet |
Bronx, New York |
|
$5,000 |
| Musiqa |
Houston, Texas |
|
$3,000 |
| NOVA Chamber Music Series |
Sandy, UT |
|
$3,000 |
| NOW Ensemble |
Appleton, WI |
|
$2,000 |
| NakedEye Ensemble |
Lancaster, Pennsylvania |
|
$2,000 |
| Network for New Music |
Philadelphia, Pennsylvania |
|
$3,000 |
| New Chamber Ballet, Inc. |
New York, New York |
|
$2,000 |
| New Music Concerts |
Toronto, Ontario |
|
$4,000 |
| New Music Detroit |
Birmingham, Michigan |
|
$2,500 |
| New Music Institute of Kansas City, Inc. |
Kansas City, Missouri |
|
$3,500 |
| Opera Parallèle |
San Francisco, California |
support for the world premiere of a new orchestration for chamber ensemble of the large-scale 2016 opera, The Shining, by Paul Moravec |
$4,500 |
| Orchestra 2001 |
Philadelphia, PA |
|
$3,000 |
| Orlando Philharmonic Orchestra |
Orlando, FL |
support for the “Celebrating Puerto Rican Heritage” performance in the 2022-2023 Season |
$2,500 |
| PRISM Quartet, Inc. |
Philadelphia, Pennsylvania |
|
$5,000 |
| Pathos Trio LLC |
Brooklyn, New York |
|
$2,500 |
| Periapsis Music and Dance, Inc |
Brooklyn, New York |
|
$2,000 |
| Piano Spheres |
Los Angeles, California |
support for the Leonard Stein Artist Residency for Historically Underrepresented Groups |
$4,000 |
| PinkNoise |
Brooklyn , NY |
|
$2,000 |
| Pittsburgh New Music Ensemble |
Pittsburgh, PA |
|
$2,500 |
| Present Music |
Milwaukee, Wisconsin |
|
$4,000 |
| River Oaks Chamber Orchestra (ROCO) |
Houston, Texas |
|
$3,000 |
| S.E.M. Ensemble |
Brooklyn, New York |
|
$3,000 |
| Sandbox Percussion |
Brooklyn, New York |
|
$2,500 |
| Santa Rosa Symphony |
Santa Rosa, California |
support for the third year of the First Symphony Project, a four-year contemporary music initiative creating four new symphonies by four young American composers |
$2,000 |
| Seattle Modern Orchestra |
Seattle, WA |
|
$2,500 |
| Seattle Symphony Orchestra |
Seattle, Washington |
support for Seattle Symphony’s Octave 9 Series offering chamber concerts of music by living composers |
$5,000 |
| So Percussion |
Brooklyn, New York |
|
$6,500 |
| Society for New Music |
Syracuse, New York |
|
$5,000 |
| Splinter Reeds |
San Francisco, CA |
|
$3,000 |
| Talea Ensemble Inc |
New York, New York |
|
$7,500 |
| The Crossing |
Philadelphia, Pennsylvania |
|
$4,000 |
| The Fresh Squeezed Opera Company |
NEW YORK, NY |
support for the 9th annual Showcase of new works for voice and chamber ensemble in November 2022 |
$2,500 |
| The Harlem Chamber Players |
New York, New York |
support for a world premiere composition by jazz artist Aruan Ortiz |
$3,000 |
| The House Foundation for the Arts |
New York, New York |
|
$3,500 |
| The Industry |
Los Angeles, California |
|
$7,500 |
| The Living Earth Show |
San Francisco, California |
|
$2,000 |
| The National Symphony Orchestra |
Washington, DC |
support for Carlos Simon’s 2023 NSO residency |
$5,000 |
| The Playground Ensemble |
Denver, Colorado |
|
$2,500 |
| The Rhythm Method |
Brooklyn, New York |
|
$2,500 |
| The Saint Paul Chamber Orchestra |
Saint Paul, Minnesota |
support for the premiere of new works by the SPCO’s first Sandbox Composer In Residence, Viet Cuong in the 2022-23 season |
$3,000 |
| The San Francisco Contemporary Music Players |
SAN FRANCISCO, California |
|
$6,000 |
| Third Angle New Music |
Portland, Oregon |
|
$2,000 |
| Third Coast Percussion |
Chicago, Illinois |
|
$5,000 |
| Transient Canvas |
Boston, Massachusetts |
|
$2,000 |
| Volti |
San Francisco, California |
|
$2,000 |
| West Edge Opera |
Berkeley, California |
|
$3,000 |
| Wet Ink Ensemble |
Brooklyn, NY |
|
$4,000 |
| Zeitgeist |
Saint Paul, Minnesota |
|
$4,000 |
| a.pe.ri.od.ic |
Chicago, IL |
|
$1,000 |
| ensemblenewSRQ |
Sarasota, FL |
|
$2,500 |
| icarus Quartet |
Baltimore, MD |
|
$2,500 |
| line upon line percussion |
Austin, Texas |
|
$3,000 |
| loadbang |
New York City, New York |
|
$3,000 |
| the [Switch~ Ensemble] |
Schenectady, New York |
|
$2,000 |
