| 21st Century Consort |
Sterling, Virginia |
|
$2,500 |
| A Far Cry |
Shelburne Falls, MA |
|
$3,000 |
| Akropolis Reed Quintet |
Northville, Michigan |
|
$2,500 |
| Alarm Will Sound |
Brooklyn, NY |
|
$3,000 |
| American Composers Orchestra |
New York, New York |
|
$8,000 |
| Aperio, Music of the Americas |
Houston, Texas |
|
$2,500 |
| Argento Chamber Ensemble |
Manhattan, New York |
|
$2,500 |
| Arraymusic |
Toronto, ON |
support for a special project taking place April 12, 13 and 14, 2019, in Toronto, Canada |
$1,500 |
| Bang on a Can |
Brooklyn, New York |
|
$5,000 |
| Bent Frequency |
EAST POINT, Georgia |
|
$2,000 |
| Boston Lyric Opera |
Boston, Massachusetts |
support for the World Premiere of a newly commissioned work, "Schoenberg in Hollywood", composed by Tod Machover with libretto by Simon Robson |
$5,500 |
| Boston Modern Orchestra Project (BMOP) |
Malden, Massachusetts |
|
$20,000 |
| Boston Musica Viva |
Boston, Massachusetts |
|
$2,500 |
| Brooklyn Youth Chorus |
Brooklyn, New York |
|
$4,000 |
| Cabrillo Festival of Contemporary Music |
Santa Cruz, California |
|
$8,500 |
| Calder Quartet |
Culver City , CA |
|
$1,500 |
| Cassatt String Quartet |
NY, New York |
|
$3,500 |
| ChamberFest Cleveland |
Cleveland Hts., Ohio |
support for the eighth ChamberFest Cleveland Summer Chamber Music Festival |
$2,000 |
| Chautauqua Opera Company |
Chautauqua, New York |
support for Chautauqua Opera's Composer-in-Residence program |
$1,500 |
| Chicago Opera Theater |
Chicago, Illinois |
support for the Chicago Premiere of The Scarlet Ibis, with music by Stefan Weisman and libretto by David Cote |
$3,000 |
| Collage New Music |
Boston, Massachusetts |
|
$3,500 |
| Contemporaneous |
New York, New York |
|
$2,500 |
| CreArtBox, Inc |
Long Island City, New York |
support for The CreArtMusic Series |
$1,500 |
| Da Capo Chamber Players, Inc. |
New York, New York |
|
$5,000 |
| Dal Niente New Music, NFP |
Chicago, Illinois |
|
$4,000 |
| Del Sol Performing Arts Organization |
San Francisco, California |
|
$5,000 |
| Eighth Blackbird |
Chicago, Illinois |
|
$10,000 |
| Ekmeles |
New York, New York |
|
$2,500 |
| Ensemble But What About |
Amstelveen, Noord-Holland |
support for "Confrontations in Dialogue" |
$1,500 |
| Ensemble Signal |
Rochester, New York |
|
$6,000 |
| Fear No Music |
Portland, Oregon |
|
$2,500 |
| Fifth House Ensemble |
Chicago, Illinois |
support for the 2019 Fresh Inc Festival |
$3,000 |
| Fonema Consort |
Chicago, IL |
75th birthday celebration of Mexican composer Julio Estrada |
$3,000 |
| Garth Newel Music Center |
Hot Springs, Virginia |
support for two concert series dedicated to living composers |
$2,000 |
| Glimmerglass Festival |
Cooperstown, New York |
support for the world premiere production of BLUE, a Glimmerglass-commissioned opera by composer Jeanine Tesori and librettist Tazewell Thompson |
$7,500 |
| International Contemporary Ensemble (ICE) |
Brooklyn, New York |
|
$14,000 |
| Intersection |
Nashville, Tennessee |
|
$2,500 |
| JACK Quartet |
New York, New York |
|
$7,500 |
| Kaleidoscope Chamber Orchestra |
Canyon Country, California |
|
$2,000 |
| Kronos Quartet |
San Francisco, California |
|
$7,000 |
| League of Composers/ISCM |
New York, New York |
|
$4,000 |
| Left Coast Chamber Ensemble |
San Francisco, California |
|
$2,000 |
| London Sinfonietta |
London, Greater London |
support for Inside Music for 18 Musicians |
$5,000 |
| Long Beach Opera |
Long Beach, California |
support for the world premiere of the newly revised The Central Park Five by acclaimed African-American composer Anthony Davis and African-American playwright Richard Wesley |
$6,000 |
| Longleash, Inc. |
Brooklyn, NY |
support for the fourth Loretto Project |
$1,500 |
| Lontano Trust Ltd |
Shoreham by Sea, West Sussex |
support for the 7th London Festival of American Music in London |
$5,000 |
| Lorelei Ensemble |
Washington, DC |
|
$2,500 |
| Los Angeles Opera Company |
Los Angeles, California |
support for four contemporary opera productions during the 2018/19 Off Grand series |
$6,500 |
| Minnesota Opera |
Minneapolis, Minnesota |
support for the World Premiere of The Fix, with music by Joel Puckett and libretto by Eric Simonson |
$3,000 |
| Minnesota Orchestra |
Minneapolis, Minnesota |
support for the Composer Institute taking place January 14-18, 2019 |
$11,000 |
| Momenta Quartet |
Bronx, New York |
|
$5,000 |
| Musiqa |
Houston, Texas |
|
$3,000 |
| NakedEye Ensemble |
Lancaster, Pennsylvania |
|
$2,000 |
| Network for New Music |
Philadelphia, Pennsylvania |
|
$3,000 |
| New Chamber Ballet, Inc. |
New York, New York |
support for "I Am", a 70-minute multidisciplinary work by Kaija Saariaho and Karin Rehnqvist |
$2,000 |
| New England Philharmonic, Inc. |
Boston, Massachusetts |
|
$3,000 |
| New Music Concerts |
Toronto, ON |
|
$4,000 |
| New Music Institute of Kansas City, Inc. |
Kansas City, Missouri |
|
$3,500 |
| New World Symphony |
Miami Beach, Florida |
support for one performance featuring works by David Lang and John Adams |
$2,500 |
| New York Youth Symphony |
New York, New York |
support for the Growing Music Initiative |
$6,000 |
| Opera Saratoga |
Saratoga Springs, New York |
support for the American Premiere of Rocking Horse Winner, by Gareth Williams and Anna Chatterton; and the World Premiere of a new edition of Vinkensport, by David T Little and Royce Vavrek |
$4,000 |
| PRISM Quartet, Inc. |
Philadelphia, Pennsylvania |
|
$5,000 |
| Periapsis Music and Dance, Inc |
Brooklyn, New York |
|
$2,000 |
| Pittsburgh New Music Ensemble |
Pittsburgh, PA |
|
$2,500 |
| Present Music |
Milwaukee, Wisconsin |
|
$4,000 |
| Quince Ensemble |
Winona, Minnesota |
|
$1,500 |
| River Oaks Chamber Orchestra (ROCO) |
Houston, TX |
|
$3,000 |
| Roomful of Teeth |
Williamstown, Massachusetts |
support for Room Full of Teeth's ninth annual residency at the Massachusetts Museum of Contemporary Art |
$5,000 |
| S.E.M. Ensemble |
Brooklyn, New York |
|
$3,000 |
| SOLI Chamber Ensemble |
San Antonio, Texas |
|
$3,000 |
| So Percussion |
Brooklyn, New York |
|
$5,500 |
| Society for New Music |
Syracuse, New York |
|
$5,000 |
| Spektral Quartet |
Chicago, Illinois |
|
$4,000 |
| Sphinx Organization |
Detroit, Michigan |
support for the Sphinx Virtuosi ensemble and tour |
$2,000 |
| Splinter Reeds |
San Francisco, CA |
|
$2,500 |
| Stephen Petronio Company |
New York, New York |
support for the premiere of a third work by Merce Cunningham, for the fifth year of the Company's signature Bloodlines project |
$2,500 |
| TAK Ensemble |
Ridgewood, New York |
|
$2,500 |
| Talea Ensemble Inc |
Brooklyn, NY |
|
$7,500 |
| The Crossing |
Philadelphia, Pennsylvania |
|
$4,000 |
| The Dessoff Choirs, Inc. |
New York, NY |
|
$1,500 |
| The Dog Star Orchestra |
Valencia, California |
|
$2,000 |
| The Fresh Squeezed Opera Company |
NEW YORK, NY |
support for Huang Ruo's "Bound" at the Baruch Performing Arts Center |
$1,000 |
| The Industry |
Los Angeles, California |
support for John Cage’s Europeras 1 & 2, a co-production with the Los Angeles Philharmonic |
$7,500 |
| The Living Earth Show |
San Francisco, California |
|
$1,500 |
| The New York Virtuoso Singers |
Brooklyn, New York |
|
$3,000 |
| The Playground Ensemble |
Denver, Colorado |
|
$2,500 |
| The Saint Paul Chamber Orchestra |
Saint Paul, Minnesota |
support for the Tapestry19 Festival |
$3,000 |
| The San Francisco Contemporary Music Players |
SAN FRANCISCO, California |
|
$6,000 |
| Third Coast Percussion |
Chicago, Illinois |
|
$5,000 |
| Transient Canvas |
Boston, Massachusetts |
|
$1,500 |
| Volti |
San Francisco, California |
|
$2,000 |
| Wet Ink Ensemble |
Brooklyn, NY |
|
$3,000 |
| Yarn/Wire |
Ridgewood, New York |
|
$4,500 |
| Young People's Chorus of New York City |
New York, New York |
support for YPC’s New Music for New Audience program |
$4,000 |
| Zeitgeist |
Red Wing, Minnesota |
|
$4,000 |
| andPlay |
New York, New York |
|
$1,000 |
| line upon line percussion |
Austin, Texas |
|
$2,500 |
| loadbang |
New York City, New York |
|
$3,000 |
| the [Switch~ Ensemble] |
Schenectady, New York |
|
$2,000 |
