| 21st Century Consort |
Sterling, Virginia |
|
$1,500 |
| Alarm Will Sound |
Brooklyn, NY |
|
$3,000 |
| Albany Symphony Orchestra (NY) |
Albany, New York |
|
$10,000 |
| Alia Musica Pittsburgh |
Pittsburgh, Pennsylvania |
|
$1,500 |
| American Composers Orchestra |
New York, New York |
|
$8,000 |
| American Symphony Orchestra |
New York, New York |
support for contemporary works performed during the 2016-2017 Vanguard series |
$2,500 |
| Bang on a Can |
Brooklyn, New York |
|
$5,000 |
| Bent Frequency |
EAST POINT, Georgia |
|
$1,500 |
| Boston Modern Orchestra Project (BMOP) |
Malden, Massachusetts |
|
$17,000 |
| Boston Musica Viva |
Boston, Massachusetts |
|
$2,000 |
| Boston Symphony Orchestra (BSO) |
Boston, Massachusetts |
support for Tanglewood's 2016 summer season, the Festival of Contemporary Music |
$5,000 |
| Brooklyn Youth Chorus |
Brooklyn, New York |
|
$2,000 |
| Cabrillo Festival of Contemporary Music |
Santa Cruz, California |
|
$7,500 |
| Cassatt String Quartet |
NY, New York |
|
$2,500 |
| Center for Advanced Musical Studies |
Hanover, New Hampshire |
|
$1,000 |
| Center for Contemporary Opera |
New York, New York |
support for five fully staged contemporary operas |
$2,000 |
| Chanicleer |
San Francisco, California |
|
$1,000 |
| Chautauqua Opera Company |
Chautauqua, New York |
support for the inaugural composer-in-residence program with composer Jeremy Gill |
$1,000 |
| Chelsea Opera |
New York, New York |
support for two performances of Anne Phillips’s new piece, "That 'Certain Age'" |
$1,000 |
| Collage New Music |
Boston, Massachusetts |
|
$3,500 |
| Collide-O-Scope Music |
Neptune, New Jersey |
|
$1,500 |
| Copland House, Inc. |
Peekskill, New York |
|
$4,000 |
| Cygnus Ensemble Inc. |
Mount Vernon, New York |
|
$1,000 |
| Da Capo Chamber Players, Inc. |
New York, New York |
|
$2,500 |
| Dal Niente New Music, NFP |
Chicago, Illinois |
|
$3,500 |
| Del Sol Performing Arts Organization |
San Francisco, California |
|
$3,500 |
| Deviant Septet, Inc. |
Brooklyn, New York |
|
$1,500 |
| ETHEL |
New York, New York |
|
$2,000 |
| Eighth Blackbird |
Chicago, Illinois |
|
$8,000 |
| Ensemble Signal |
Rochester, New York |
|
$4,000 |
| Fifth House Ensemble |
Chicago, Illinois |
support for the 2017 fresh inc festival, held June 4-18 at The University of Wisconsin-Parkside in Kenosha, WI |
$1,000 |
| Guerilla Opera |
Boston, MA |
|
$2,000 |
| JACK Quartet |
New York, New York |
|
$5,000 |
| Kronos Quartet |
San Francisco, California |
|
$4,000 |
| League of Composers/ISCM |
New York, New York |
|
$2,500 |
| Left Coast Chamber Ensemble |
San Francisco, California |
|
$1,500 |
| Lexington Philharmonic |
Lexington, Kentucky |
support for the performance of TO BE CERTAIN OF THE DAWN, a concert cycle featuring the contemporary oratorio by composer Stephen Paulus, and Shostakovich's Chamber Symphony, Op. 110a |
$1,500 |
| Long Beach Opera |
Long Beach, California |
support for the American premiere of "The Perfect American", by composer Philip Glass and librettist Rudolph Wurlitzer, based on the novel by Peter Stephan Jungk |
$3,000 |
| Lontano Trust Ltd |
Shoreham by Sea, West Sussex |
support of the 6th London Festival of American Music |
$4,000 |
| Lorelei Ensemble |
Cambridge, Massachusetts |
|
$1,000 |
| Los Angeles Master Chorale |
Los Angeles, California |
support for two performances featuring works by contemporary composers |
$1,500 |
| Los Angeles Opera Company |
Los Angeles, California |
support for two productions that are part of LA Opera’s Contemporary Opera Initiative during the 2016/17 season |
$4,000 |
| Mantra Percussion |
Woodside, New York |
|
$1,000 |
| Mark Morris Dance Group |
Brooklyn, NY |
support of the live performance of contemporary music by Lou Harrison during the 2016-2017 season, including the premiere of a new work |
$2,000 |
| Minnesota Opera |
Minneapolis, Minnesota |
support for artist fees for the nine primary principals, for the world premiere of "Dinner at Eight" by William Bolcom |
$4,000 |
| Minnesota Orchestra |
Minneapolis, Minnesota |
support for the Minnesota Orchestra’s 2017 Composer Institute |
$10,500 |
| Minnesota Sinfonia |
Minneapolis, Minnesota |
support for the premiere of five new compositions by Minnesota-based composers |
$1,000 |
| Momenta Quartet |
Bronx, New York |
|
$2,500 |
| Monadnock Music |
Peterborough, New Hampshire |
support for nine free village concerts in 2016 |
$3,000 |
| Ne(x)tworks Music |
Cortlandt Manor, New York |
|
$1,000 |
| Network for New Music |
Philadelphia, Pennsylvania |
|
$1,500 |
| New England Philharmonic, Inc. |
Boston, Massachusetts |
|
$1,500 |
| New Haven Symphony Orchestra |
New Haven, Connecticut |
support for the performance of works by Hannah Lash |
$1,500 |
| New Music Concerts |
Toronto, ON |
|
$3,500 |
| New Music Detroit |
Birmingham, Michigan |
|
$1,500 |
| New World Symphony |
Miami Beach, Florida |
support for the performance of contemporary works by The New World Symphony's Percussion Consort |
$2,000 |
| New York City Ballet |
New York, New York |
support for the performance of new ballets by David Lang and Sufjan Stevens with choreographers Pontus Lidberg and Justin Peck during New York City Ballet's 2016-2017 season |
$3,500 |
| New York New Music Ensemble |
New York, NY |
|
$2,500 |
| ODC |
San Francisco, California |
support for "Blink of an Eye" as part of OCD's annual home season at Yerba Buena Center for the Arts in March 2017 |
$2,000 |
| Opera Parallèle |
San Francisco, California |
|
$3,000 |
| Opera Saratoga |
Saratoga Springs, New York |
support for the American premiere of Philip Glass’s "The Witches of Venice" |
$2,000 |
| Orpheus Chamber Orchestra |
New York, New York |
support for World Premiere performances of new works by Jessie Montgomery and Michael Hersch |
$2,000 |
| PRISM Quartet, Inc. |
Philadelphia, Pennsylvania |
|
$3,000 |
| Pacific Symphony |
Irvine, California |
support for 2017 the annual American Composers Festival showcasing the compositions of three California-based composers, Frank Ticheli, John Adams, and Peter Boyer |
$2,000 |
| Periapsis Music and Dance, Inc |
Brooklyn, New York |
|
$1,000 |
| Pittsburgh New Music Ensemble |
Pittsburgh, PA |
|
$2,500 |
| Present Music |
Milwaukee, Wisconsin |
|
$3,500 |
| River Oaks Chamber Orchestra (ROCO) |
Houston, TX |
|
$2,000 |
| Riverside Symphony |
New York, New York |
support for three contemporary music performances within the orchestra’s 2016–17 three-concert series at Alice Tully Hall |
$1,000 |
| Roomful of Teeth |
Williamstown, Massachusetts |
support for the seventh annual residency at the Massachusetts Museum of Contemporary Art, taking place August 8-19, 2016 |
$2,500 |
| San Francisco Ballet |
San Francisco, California |
support for a new full-length story ballet based on Mary Shelley’s Frankenstein featuring an original score composed by Lowell Liebermann |
$3,500 |
| Sandbox Percussion |
Brooklyn, New York |
|
$1,000 |
| Seattle Symphony Orchestra |
Seattle, Washington |
support for the "Contemporary Music Project" consisting of 17 symphonic and chamber music performances featuring 10 programs during the Seattle Symphony's 2016-17 season |
$4,500 |
| So Percussion |
Brooklyn, New York |
|
$4,000 |
| Society for New Music |
Syracuse, New York |
|
$4,500 |
| Sound Icon |
Chelsea, Massachusetts |
|
$1,500 |
| Southland Ensemble |
Los Angeles, CA |
|
$1,500 |
| Spektral Quartet |
Chicago, Illinois |
|
$1,500 |
| Sphinx Organization |
Detroit, Michigan |
support for the Sphinx Virtuosi ensemble and tour |
$1,000 |
| Sybarite5 |
New York, New York |
|
$1,000 |
| TAK Ensemble |
Ridgewood, New York |
|
$1,000 |
| Talea Ensemble Inc |
New York, New York |
|
$5,000 |
| The Crossing |
Philadelphia, Pennsylvania |
|
$2,000 |
| The Living Earth Show |
San Francisco, California |
|
$1,000 |
| The New York Virtuoso Singers |
Brooklyn, New York |
|
$3,500 |
| The Saint Paul Chamber Orchestra |
Saint Paul, Minnesota |
support for Claire Chase's SPCO debut featuring Salvatore Sciarrino’s “Il Cerchio Tagliato dei Suoni” and the premiere of a new piece by Marcos Balter |
$1,500 |
| The San Francisco Contemporary Music Players |
SAN FRANCISCO, California |
|
$4,000 |
| The Santa Fe Opera |
Santa Fe, New Mexico |
support for the world premiere of “The (R)evolution of Steve Jobs,” the first opera by Mason Bates |
$4,000 |
| Third Angle New Music |
Portland, Oregon |
|
$1,500 |
| Third Coast Percussion |
Chicago, Illinois |
|
$3,000 |
| Voices of Change |
Dallas, Texas |
|
$1,500 |
| Volti |
San Francisco, California |
|
$1,500 |
| West Edge Opera |
Berkeley, California |
support for the inaugural year of a series of performances showcasing new operas in development |
$2,000 |
| Wild Up |
Los Angeles, California |
|
$1,500 |
| Yarn/Wire |
Ridgewood, New York |
|
$2,500 |
| Young People's Chorus of New York City |
New York, New York |
support for "New Music for New Audiences" activities for the 2017 Fiscal Year |
$3,500 |
| Zeitgeist |
Saint Paul, Minnesota |
|
$3,000 |
| ensemble mise-en |
Brooklyn, New York |
|
$2,500 |
| line upon line percussion |
Austin, Texas |
|
$1,000 |
| thingNY |
Jersey City, New Jersey |
|
$1,000 |
